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est retourné au camp de Skegness en 1982 lorsque la vision originale commençait à s'estomper
des moments dont on se souvient à peine
imaginaire
It is about the SITUATIONS project : commercial banners collected
Alongside his commissioned projects
Individual Methodology Kirsty Bell est retourné au camp deIn the curator's archives. Neither a biography nor a compilation of his projects, this publication, thanks to privileged access to the archives of the Fabbrica rosa, hopes to shed light on Szeemann's curatorial methodology. Presenting numerous previously unpublished documents as well as interviews with the close collaborators of this exhibition maker, as he often referred to himself, the authors explore the structures and tools of his trade (his
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