DISASTERS OF WAR García-Alix dans leurs temporalités ou dynamiques

dans leurs temporalités ou dynamiques

Celebrating the incredible legacy of an influential British style magazine through a quarter century of its most iconic portraits Groundbreaking British youth culture and style magazine The Face established the careers of generations of photographers

leur identité et leur sexualité

informer sur le monde de l’art contemporain et son actualité

s des icônes

DISASTERS OF WAR García-Alix dans leurs temporalités ou dynamiquesThe story to the images in the book is complex and to condense it reads as follows: An 11 year old boy, Khalid Hadi, was made a photographer at a relieve foundation for victims of the Afghan Soviet war in Kandahar, South Afghanistan. Orphans, wounded fighters, civilians. For three years he photographed 10. 000 casualties of the conflict with a wooden box camera for the administration of the foundation. When the Taliban took over most of Afghanistan,